{"id":55,"date":"2024-11-13T22:06:04","date_gmt":"2024-11-13T22:06:04","guid":{"rendered":"https:\/\/juliaholt.dcreate.domains\/?page_id=55"},"modified":"2025-05-08T05:22:25","modified_gmt":"2025-05-08T05:22:25","slug":"moodle-post-4","status":"publish","type":"page","link":"https:\/\/juliaholt.dcreate.domains\/?page_id=55","title":{"rendered":"Music, Movement, and Justice"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Barbara Browning explains that capoeira is a game, a fight, and a dance all at once. This Afro-Brazilian tradition consists of kicks, acrobatics, traditional Kongo dance movements, and is \u201cplayed\u201d like a game&nbsp; These seemingly conflicting descriptions highlight the different ways that capoeira functions and the impact that it has on those who participate.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The distinction of capoeira as a dance highlights the music and the choreographed movements. It classifies capoeira as an art, placing the focus on the beauty and freedom of the movements. By demonstrating how it is an art, Browning encourages others to observe the performance. She is demonstrating how there is a deeper meaning in the movements of those who practice capoeira. She also emphasizes how this is a way for people to express themselves. Furthermore, referring to capoeira as a dance focuses on the performance aspect of it, and the impact it has on the audience. Not only the capoeiristas are moved by the dance but so are all that witness it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The distinction of capoeira as a martial art demonstrates the power that dance can have. It demonstrates the part that capoeira played in the black resistance. This emphasizes how African forms are valid, durable, and effective weapons. Moreover, the distinction of capoeira as a fight asserts that there is a great power in the way that bodies move and the way they move together. Also, classifying the capoeira as a fight causes the dance to be viewed as a threat. The Penal Code of 1890 legislated corporal punishment for the practitioners of capoeira because they saw this cultural tradition as a form of attack. This demonstrates that the way we classify cultural traditions is extremely important and shapes the public perception of the traditions.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Finally, the distinction of capoeira as a game emphasizes the practitioner&#8217;s freedom and involvement in the tradition. A game can be played many ways and each player can implement their strategies. A game is also a way to bond as a community and engage with the people around you. The distinction of capoeira as a game demonstrates the impact that each individual has on the art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The articulation of capoeira as something you play reveals that this art is influenced by every person who performs it. This functions culturally in many ways because each individual can consider what they want to get out of capoeira. Whether it is power or a way to connect with one\u2019s heritage, the capoeira functions differently depending on the player\u2019s needs. <\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-white-color has-alpha-channel-opacity has-white-background-color has-background is-style-dots\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Bibliography<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Browning, Barbara, editor. <em>Samba: Resistance in Motion<\/em>. Indiana University Press, 2010.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barbara Browning explains that capoeira is a game, a fight, and a dance all at once. This Afro-Brazilian tradition consists of kicks, acrobatics, traditional Kongo dance movements, and is \u201cplayed\u201d like a game&nbsp; These seemingly conflicting descriptions highlight the different ways that capoeira functions and the impact that it has on those who participate.&nbsp; The&hellip; <a class=\"more-link\" href=\"https:\/\/juliaholt.dcreate.domains\/?page_id=55\">Continue reading <span class=\"screen-reader-text\">Music, Movement, and Justice<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-55","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=\/wp\/v2\/pages\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55"}],"version-history":[{"count":4,"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=\/wp\/v2\/pages\/55\/revisions"}],"predecessor-version":[{"id":240,"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=\/wp\/v2\/pages\/55\/revisions\/240"}],"wp:attachment":[{"href":"https:\/\/juliaholt.dcreate.domains\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}